Word for Word Index
- rūpam
- the same bodily features — ŚB 8.4.6
- Her beauty — ŚB 8.9.2
- a form — ŚB 8.24.27, ŚB 10.34.9, ŚB 11.2.22
- beauty of a young man — ŚB 9.3.12
- form or substance — ŚB 10.3.24
- in Your Viṣṇu form — ŚB 10.3.28
- My form as the Supreme Personality of Godhead with four hands — ŚB 10.3.44
- the transcendental form of the Lord — ŚB 10.14.60
- the personal beauty — ŚB 10.29.40
- His personal form — ŚB 10.38.14
- personal form — ŚB 10.44.39, ŚB 10.86.54
- the beauty — ŚB 10.52.37, CC Madhya 24.52, CC Madhya 24.56, CC Antya 1.169
- in the form — ŚB 10.78.6
- a transcendental form — ŚB 11.6.23
- her form — ŚB 11.8.23
- upon the form — ŚB 11.14.36-42
- visible form (as adhibhūta) — ŚB 11.22.31
- physical beauty — ŚB 11.23.16
- His form — ŚB 11.30.28-32
- a perceived form — ŚB 12.4.24
- his form — ŚB 4.12.29
- the false dress of a saintly person — ŚB 4.19.17
- the dress of a sannyāsī — ŚB 4.19.21
- dress — ŚB 4.19.22
- sva-rūpam
- original form. — ŚB 1.9.39
- his real identity — ŚB 3.28.37
- form — ŚB 5.18.36
- his original spiritual form — ŚB 6.2.43
- the actual form of the Lord — ŚB 6.4.29
- real personality — ŚB 6.17.32
- his actual spiritual identity — ŚB 11.13.36
- tat-rūpam
- His form of body — ŚB 2.8.9
- tat rūpam
- that transcendental form — ŚB 2.9.38
- śapharī-rūpam
- the form of a fish — ŚB 8.24.9
- tvat-rūpam
- your manifestation — ŚB 9.5.7
- yathā-rūpam
- in exact conformity with the township of Brahmapurī — ŚB 5.16.29
- yat-rūpam
- the form of whom — ŚB 5.25.9
- whose form — ŚB 10.2.42
- yoṣit-rūpam
- the form of a beautiful woman — ŚB 8.8.41-46
- suhṛt-rūpam
- pretending to be a friend — ŚB 9.19.8
Filter by hierarchy
- Canto 1: Creation (6)
- Canto 2: The Cosmic Manifestation (9)
- Canto 3: The Status Quo (9)
- Canto 5: The Creative Impetus (11)
- Canto 6: Prescribed Duties for Mankind (9)
- Canto 7: The Science of God (5)
- Canto 8: Withdrawal of the Cosmic Creations (6)
- Canto 9: Liberation (6)
- Canto 10: The Summum Bonum (18)
- Canto 11: General History (16)
- Canto 12: The Age of Deterioration (4)
- Canto 4: The Creation of the Fourth Order (6)