CC Madhya 21.105
tāhāra upara bhrūdhanu-nartana
terache netrānta bāṇa, tāra dṛḍha sandhāna,
bhūṣaṇera — of the ornament; bhūṣaṇa — the ornament; aṅga — the limbs of the body; tāheṅ — that feature; lalita — delicate; tri-bhaṅga — bent in three places; tāhāra upara — above that; bhrū-dhanu-nartana — dancing of the eyebrows; terache — crooked; netra-anta — the end of the eye; bāṇa — arrow; tāra — of that arrow; dṛḍha — strong; sandhāna — fixing; vindhe — pierces; rādhā — of Śrīmatī Rādhārāṇī; gopī-gaṇa — of the gopīs also; mana — the minds.
“Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa’s body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three-curved style of standing. Above all these beautiful features, Kṛṣṇa’s eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.