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Text 184

Text 184

Texto

Text

naṭatā kirāta-rājaṁ nihatya raṅga-sthale kalā-nidhinā
samaye tena vidheyaṁ guṇavati tārā-kara-grahaṇam
naṭatā kirāta-rājaṁ nihatya raṅga-sthale kalā-nidhinā
samaye tena vidheyaṁ guṇavati tārā-kara-grahaṇam

Palabra por palabra

Synonyms

naṭatā — danzando en el escenario; kirāta-rājam — a Kaṁsa, el gobernante de los kirātas (hombres incivilizados); nihatya — tras matar; raṅga-sthale — en el escenario; kalā-nidhinā — el maestro de todas las artes; samaye — en el momento; tena — por Él; vidheyam — para ser hecho; guṇa-vati — en el momento adecuado; tārā-kara — de la mano de Tārā (Rādhā); grahaṇam — la aceptación.

naṭatā — dancing on the stage; kirāta-rājam — the ruler of the Kirātas (uncivilized men), Kaṁsa; nihatya — killing; raṅga-sthale — on the stage; kalā-nidhinā — the master of all arts; samaye — at the time; tena — by Him; vidheyam — to be done; guṇa-vati — at the qualified moment; tārā-kara — of the hand of Tārā (Rādhā); grahaṇam — the acceptance.

Traducción

Translation

«“Mientras danza en el escenario después de haber matado al gobernante de los hombres incivilizados [Kaṁsa], el Señor Kṛṣṇa, maestro de todas las artes, aceptará, en el momento adecuado, la mano de Śrīmatī Rādhārāṇī, que está dotada de todos los atributos trascendentales.”

“ ‘While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.’

Significado

Purport

Éste verso es el 1.11 del Lalita-mādhava.

This verse is Lalita-mādhava 1.11.